Throughout the 20th century design in many ways ruled as a royal practice of modernity.
'If cold, then cold as a block of ice. If hot, then hot as a blazing wing. Architecture must blaze.'
Importantly, the political apathy such arguments attribute to technology has counterparts in architecture and design both historically and at present.
The modern city is in some way a component of layered, complex traces of an “excavate and infill” story which is embedded in time and space...
More concerned with the practical area than the theoretical area, preservation has the potential to touch the society a little more.
Typical information flow from design to execution is taken granted as linear, rather one-directional.
Design is divided into two: the ones that deserve and the ones that do not deserve the seriousness of being a subject of design debates and criticisms.
'You never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete.'
Porsche Museum as an example of 'timeless form' or 'a form creating its own time' exhibits the automobiles within the cosmos that it created through architecture
This article focuses on the development and design process of Alsancak National Freedom Park project in Northern part of Cyprus
Recently, we are very much exposed to robotically fabricated pavilions popping up all around the world, most of which are iterations of the applied research projects started a decade ago.
Has architectural education become such a know-how package that is transmitted through such documents only?
Civicwise, an international network working on civic design gathered together at Glocal Camp to discuss the community governance, collaborative economy, and inclusive communication
The light which preserves its mystery since the times mankind existed till today, embodies the secret of its beauty’s nature
With slow food there is also slow design, a mindful idea of thinking about progress at large and a sustainable zero-growth future
A series of futuristic images, with the first series produced for the 1900 Exhibition Universelle in Paris, was depicting what it would be like to live in the then distant year of 2000 - aptly named En L’an 2000